Echoes, Mountains, and Mystery

Every pedal we design starts with a feeling. With the Twin Peaks Eiger-Mönch, it began as a fascination with space and time — not the outer kind, but the kind that happens when a sound travels, bounces, shifts, and returns changed.

At first, it was just a dual delay idea. But somewhere in the middle of tweaking the circuit, the imagination drifted to the Swiss yodel — that ancient tradition of sending your voice ricocheting between peaks, a call-and-response with the mountains.
We started joking about building a delay that could yodel back.

A Circuit in the Twilight

Around the same time, we were deep into one of our regular Twin Peaks re-watches — the surreal echoes, the eerie pacing, the space between words and events. Something about that vibe felt right for this circuit: layered, atmospheric, mysterious.

Where Sound Meets Stone

Then came a hike — one of those clear days between the Eiger and the Mönch. We stopped, shouted into the valley, and waited. The echo that came back had its own shape. Its own delay.

That was the moment it clicked.
This wasn’t just a Twin Peaks reference — it was a Swiss Twin Peaks.
A Twin Peaks Eiger-Mönch.

A Name with Layers

The name became a natural fusion: the surrealism of Lynch’s storytelling, the staggering beauty of Swiss geography, and a very real delay of sound traveling between two iconic mountain faces.

Stay tuned for more RhPf Electronics Behind the Scenes!

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